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Historical
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Early 17th century to 1660s Dutch coif
Brief: Authentic headcovering to cover short modern hairstyle.
Original: Paintings from the golden age of Dutch masterpieces (1660s)
Realisation: Linen coif, padded to emulate hair bun. Mounted on wire construction. |
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1660s English linen hood
Brief: Headcovering for a lady to be worn with 1660s wig in authentic hairstyle.
Original: Portrait paintings, specifically Lady Castlemain (1664)
Realisation: Handsewn linen hood with black silk ribbon. |
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1660s-70s Fan
Brief: Authentic-looking fan, suitable for 1660s-70s English lady.
Original: 1670s fan leaf, unmounted, extant fans from the period.
Realisation: 19th century fan, monture made from bone, with torn leaf. 1670s leaf painting (see right-hand image) laser-printed on card. Mounted on fan ribs and affixed to guards. |
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1660s Velvet covered leather baldrick/swordbelt
Brief: Baldrick for the 1660s gentleman costume, before sword belts took over as fashionable.
Original: (left) 1630s velvet covered and embroidered baldrick, V&A museum. (right) 1654 Karl X Gustav's embroidered baldrick, Livrustkammeren, Sweden.
Realisation: Heavy leather construction, individual pieces covered and lined with velvet, and edged with metal fringe. |
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1830s Biedermeier black silk mourning bonnet
Brief: Headcovering for female mourning costume to be worn at the Rochester Dickens Parade (Kent) that would stand out sufficiently from the usual silhouette/chosen decade in the 19th century.
Original: Fashion plates from the period, specifically 1830 mourning costume (left).
Realisation: Straw hat cut and re-shaped for bonnet. Covered in silk, embellished with wide sewn silk ribbons, lace and ostrich feathers. |
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© Nic Kipar |
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Children
Sword scabbards
Brief: Durable scabbards for children's wooden swords, suitable for classic imaginary "Medieval Knights" look.
Inspiration: This was for kids' costumes, authenticity not required.
Realisation: Heavy duty PVC faux leather, thin wood, buckram. Blanket-stitched around the edges. |
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© Nic Kipar |
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Entire site copyright @ Nic Kipar, unless otherwise indicated |
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