1660
The jacket is made from a luxurious midnight blue silk velvet. The
sheen is captured beautifully by the artist. |
1660
Woman peeling an apple in a yellow jacket of a curious material
of which I am not sure what it is. |
1660
Red velvet jacket, waisted. |
1660
One of the few garments in a green colour. The colour combination
of her outfit is brilliant, green velvet jacket waisted and with low
curve in the back, plum coloured skirt, lined with green and bright
red petticoat. |
1660
Royal blue velvet jacket with broad fluffy fur edging. Her foot
rests on a foot warmer, which is a wonderful invention. We made one
and the effect is remarkable with the heat going up underneath the
skirts. |
1660-62
Black velvet jacket, might be waisted, no visible closing, probably
closed with hooks and eyes in the same way fur coats are still fastened
nowadays. |
1660-65
A very rare view of the back of such a jacket. It is definitely waisted
and hangs in a low curve in soft folds.It is unclear of which fabric
it is made of. |
1660-67
Red velvet jacket closed with two or three red silk ribbons. It
falls open in the front. Unclear if it is a loose or a waisted one. |
1661
Red velvet jacket left open and showing that she appears to be wearing
a bodice underneath or a pair of stays which would be uncharacteristically
adorned with rows of ribbon bows. This jacket is loose not waisted
and a ribbon shows at the neck opening for fastening. |
1661
Dark brown or black velvet jacket with an apron over it. Note
the red ribbon with which her pearl necklace is fastened in the back
of her neck. |
1661-63
Black jacket without fur at the cuffs but lined with brown rabbit
fur throughout. It appears there is edging at the centre front and
neckline which is white fur. |
1662
Red waisted jacket worn outdoors with sheer apron and neckerchief
over it. |
1662-63
Black velvet jacket with wide low neckline. |
1663
Dark jacket, material unclear, which shows clearly the ribbons at
the neck opening for fastening it closed. |
1664
Yellow jacket with white fur that is painted to look like ermine.
It is highly unlikely that it is real ermine. |
1664
This is an unusual jacket as it seems to be either made from a
striped/brocaded material or decorated with bands of braid down the
sleeves and above the fur along them hem, which is more likely. |
1665
Brown long jacket with a narrow fur edging down centre front,
hem and cuffs but not neckline. |
1665
Orange red jacket with fur edging and closed only at the waist
in combination with a bright orange red gold laced skirt. |
1667-68
Yellow jacket which might be made of silk satin, unclear. Waisted
and with wide cuffs. |
1668
This might be the same yellow and fake ermine jacket that is
worn in the painting of the writing woman. |
Another
dark green probably velvet jacket, a bit unusual because of the slit
in the back skirt which is edged with fur as well. Note the deep pleats
in the back of the sleeves, like the sleeves of the bodices. |
Jacket
made from soft silk satin with a fairly narrow fur edging and no fur
at the cuffs. |
Yellow
jacket, waisted and curved and with broad white fur edging. She wears
a red inset in the neckline of the jacket. |
Grey-blue
velvet jacket closed at the neckline and falling open. Wider fur at
the cuffs than at the hemline. |
Deep
black jacket waisted with narrow fur at hemline, front and cuffs but
none at the neckline. |
Rich
brown velvet jacket with narrow fur at hemline, front and cuffs but
not at the neckline. |